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Thread: Advice on how to be a director from the 1920's

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    "A List" Customer MissNathalieVintage's Avatar
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    Advice on how to be a director from the 1920's

    Very interesting information. http://twitpic.com/4vxwem
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    Bartender Feraud's Avatar
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    I have a book from 1922 called Motion Picture Directing, The Facts and Theories of the Newest Art by Peter Milne.
    Chapter contents include-

    -Preparation for Production
    -The Method of William DeMille
    -Mainly about D.W. Griffith
    -Words from Frank Borzage
    -Directors schooled by Ince
    -Ernst Lubitsch: German Director
    -The Importance of the Art Director
    -Some of the Arts of Slapstick Comedy

    There are a couple of dozen photos througout the book.
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    Practically Family
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    In "The Buster Keaton Story," Peter Lorre (as an early sound director) says "Interlock and roll 'em..."
    I suppose the "interlock" has to do with picture+sound. Anyone else run onto that phrase anywhere?

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    Practically Family BigFitz's Avatar
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    Well, I guess you would need at least a directors chair, some riding breeches, and a megaphone to shout "QUIET ON THE SET" for starters.

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    One Too Many Flicka's Avatar
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    If anyone has a penchant for the world of silent film making, I hear that Laurie King's latest book in the Mary Russell/Sherlock Holmes series takes place during the making of a film in the '20s and that it's really well researched. Just a tip.
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    Practically Family Stanley Doble's Avatar
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    Robert Mitchum used to tell a story about Raul Walsh, his favorite director. Raul would set up the scene, start the cameras, turn his back on the actors and roll a cigarette. When they stopped talking he would turn around and say "cut!". Then he would ask how it went? Oh it was ok, I bumped into a lamp but made it look natural. When the actors were satisfied with the scene he went on to the next.

    4 Acadamy Awards. Never watched a scene being shot. So much for the director as Auteur.

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