The opera is based not just on Mr. Cronenberg’s film, which was set in the 1980s, but also on the original short story from 1957 by George Langelaan. The setting has been moved back to the late 1950s. As depicted by the set designer Dante Ferretti, the computer in Brundle’s lab that connects the two huge teleports he has invented is a big, old-fashioned thing with knobs, lights and control panels.
At one point in Act II, Mr. Okulitch, his skin now covered in hideous scales, is suspended by wires. He enters his studio upside down, crawling along a ceiling crossbeam and then slithering head-first down a metal column, singing all the while. This is something voice students are not prepared for in conservatory training.
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