Dr Doran
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Interesting book review, by one Kaiama L. Glover, of a considerably more interesting-looking new sort-of-biography of Josephine Baker, Josephine Baker in Art and Life: The Icon and the Image, University of Illinois Press, in the last Sunday's New York Times Book Review. The author of the book, Bennetta Jules-Rosette, notes that Baker was too dark for some US venues and too light for others; she thrived in Europe where this was not a problem. The book seems to have a semiotic and E. Goffman-esque twist and according to the reviewer predictably "cleverly exposes Baker's manipulation of race, class, and sex." Her beads and feathers attire
http://www.nytimes.com/2007/06/03/books/review/Glover-t.html?pagewanted=all
"gave the audience, hopped up on Picasso's primitivism and its attendant 'escapist colonialist and modernist fantasies' something that appeared to have emerged straight from the African jungle. Little did her public realize that much of her hip-thrusting, jello-limbed act was a product of her St. Louis childhood and tours on the vaudeville circuit."
The review is pretty fascinating, even if you don't want to shell out a (rather modest) $25 for the paperback of the book. The review ends with the rather unfortunate appelation "postmodern homegirl cosmopolitan" and is titled the even more unfortunate "Postmodern Homegirl," but what can you do. Still an interesting review of an interesting book about a most important performer and personality of the "golden age."http://www.nytimes.com/2007/06/03/books/review/Glover-t.html?pagewanted=all