- Messages
- 15,339
- Location
- Somewhere south of crazy
I wish I knew the dimensions. I have an O'Farrell Glenn Family era 50X that would probably be close too. If I could only find where it's at.
She would say don't you dare trim one hair in that stache!
I wish I knew the dimensions. I have an O'Farrell Glenn Family era 50X that would probably be close too. If I could only find where it's at.
She would say don't you dare trim one hair in that stache!
I think you're right on with a Longhorn Jr! Not too many of those around. I believe Jared & Michael Ray both have one. You guys should start a thread.This weekend I may pull out that Stetson and post it, see what you think. It's a Stetson Longhorn Jr.
We have a 100' statue made of 70's & 80's Chevy Camaros stacked on top of each other....(tre modern & chic) and then we have the statues of our founding fathers that many are trying to topple for multiple reasons....mostly made up.A couple of the wealthy families here put their civic responsibilities & money into public art, museums & libraries.
Then we have the stained Black Angel in a local cemetery dating back to the 1850's.
Good Idea.I think you're right on with a Longhorn Jr! Not too many of those around. I believe Jared & Michael Ray both have one. You guys should start a thread.
Ah, I'd heard Gus crease and Montana crease used synonymous lol. Also seen it refered to as a varient of the bullrider style.Thanks! It’s a nice hat, but it’s a couple sizes too small for me so it will be put on the block soon.
As for the crease, I think of a four sided crease ending in a peak when I think of a Montana crease. To me, this hat has more of a Gus crease. Then again, the same creases have lots of different names and sometimes the nuances between them aren’t very meaningful.
That angel sounds intriguing. I’m gonna have to look that up.A couple of the wealthy families here put their civic responsibilities & money into public art, museums & libraries.
Then we have the stained Black Angel in a local cemetery dating back to the 1850's.
Perry, if you get to t out just for pics be sure & measure it up & anything else about it.Good Idea.
Her marker is topped with ~6 ft angel looking down upon her grave. No matter what they clean it with, within a short time it turns black. No trees nearby that would produce tree sap; nothing in the soil.That angel sounds intriguing. I’m gonna have to look that up.
I appreciate you telling the story. The only thing I could find is in Iowa city. I thought you were a tad further south than that, so wrong one. Pretty neat to at any rate, and haunted. I’ll keep digging. Very interesting, HJ.Her marker is topped with ~6 ft angel looking down upon her grave. No matter what they clean it with, within a short time it turns black. No trees nearby that would produce tree sap; nothing in the soil.
I can't remember her name at the moment but the story goes that she was from back east, Philadelphia I think. Right after their marriage the couple came West but she didn't want to leave Philadelphia, civilization & family. This area was being settled around 1840. She died around 1850 of consumption or pneumonia. I have some 35mm slides of the angel I took but no way to digitize them.
I've seen the Cadillac sculpture in Nebraska.We have a 100' statue made of 70's & 80's Chevy Camaros stacked on top of each other....(tre modern & chic) and then we have the statues of our founding fathers that many are trying to topple for multiple reasons....mostly made up.
Iowa? Never lived north of the Mason-Dixon line, & whenever I have to cross it I wait until after dark. Just kiddin'...I appreciate you telling the story. The only thing I could find is in Iowa city. I thought you were a tad further south than that, so wrong one. Pretty neat to at any rate, and haunted. I’ll keep digging. Very interesting, HJ.
Ah, I'd heard Gus crease and Montana crease used synonymous lol. Also seen it refered to as a varient of the bullrider style.
On the subject of the Gus crease, had my silverbelly hat turn dirt tan today. Dusty out in the vinyard today!
![]()
Picture is after blowing off most of it...
Oh yeah, it's a bit like the tarantula and reptile world, only those have the ability to use the animal's Latin name to avoid confusion. Makes things confusing sometimes haha. This chart is from Stalker Hat's website and the Tom Mix, Montana, and Packer shown on this chart, all look fairly similar. It's fascinating how many variations there are, and different names for those variations. Some of these I wouldn't even notice a difference ('course, I'm pretty new to hats), like the Cattleman and Arena. Even the Roughstock looks pretty similar.
This is what I was think of when I hear Montana crease:
View attachment 360238 View attachment 360239
Some folks call it a Montana Peak crease, but it’s also just called a Montana crease. This is from Resistol:
View attachment 360240
As there isn’t any body or organization which establishes uniform definitions the same names are used for different creases. Part of this could be regional or it could primarily be personal tradition. There might be a consensus of what defines the crease, but there will never be uniformity…and I like that.
Makes sense. Also keeps things interesting! Wasn't the origin of hat creases just a result of use, with the whole deliberately placing specific creases thing, relatively new? If so, it makes sense that the naming scheme would be very fast and loose. Early hatters could pretty much call the creases whatever they'd like, so long as they were consistent, I'd think.
Pre Civil War southern planters wore big brim, low telescope crowned hats for sun & rain protection. Civil War officers were allowed to wear civilian hats & often preferred the same big brim, low crown "slouch hats", especially cavalry units riding on horseback (think Geo. Armstrong Custer). Their hats were soft so as to pin up the brim of the riders dominant hand side for using swords & *****s.Oh yeah, it's a bit like the tarantula and reptile world, only those have the ability to use the animal's Latin name to avoid confusion. Makes things confusing sometimes haha. This chart is from Stalker Hat's website and the Tom Mix, Montana, and Packer shown on this chart, all look fairly similar. It's fascinating how many variations there are, and different names for those variations. Some of these I wouldn't even notice a difference ('course, I'm pretty new to hats), like the Cattleman and Arena. Even the Roughstock looks pretty similar.
![]()
John Lofgren Monkey Boots Shinki Horsebuttt - $1,136 The classic monkey boot silhouette in an incredibly rich Shinki russet horse leather.
Grant Stone Diesel Boot Dark Olive Chromexcel - $395 Goodyear welted, Horween Chromexcel, classic good looks.
Schott 568 Vandals Jacket - $1,250 The classic Perfecto motorcycle jacket, in a very special limited-edition Schott double rider style. Yes for sure Jack!Perry, if you get to t out just for pics be sure & measure it up & anything else about it.
Very interesting! I'm kind of surprised the felt was thinner, especially given the greater abundance of fur bearers (and lack of regulations for taking said fur bearers). I suppose it had something to do with the felting process, and lack of modern machinery to assist in the process. So would a hat at that time period be a bit like if you had a western hat made out of dress weight felt? I wonder how well they held up over time compared to what's available today?Pre Civil War southern planters wore big brim, low telescope crowned hats for sun & rain protection. Civil War officers were allowed to wear civilian hats & often preferred the same big brim, low crown "slouch hats", especially cavalry units riding on horseback (think Geo. Armstrong Custer). Their hats were soft so as to pin up the brim of the riders dominant hand side for using swords & *****s.
When John B. Stetson designed the Boss of the Plains hat in 1865 he did so out of beaver for better weather protection, retained the big brim & opened up the crown from the telescope for the same reason. With an open crown rain no longer collected in the sunken telescope of a crown. The demand for taller open crowns came about in the SW because they were thought to be cooler in the summer & warmer in the mild winters.
Creases came about largely as a regional thing, to denote if you were local to the region or not. And you probably couldn't wear a tall open crown & keep it on in the winter winds of Wyoming or Montana, for example. The big exaggerated creases came with the Wild West Shows. The medium crown hats with rolled fenders came from rodeo competitors such as barrel racers & 1950's TV Westerns.
There are still regional differences, from the Hemphill Open Road crease of the east TX country, to the taco style worn by the ropers of west TX, to the vaqueros style of CA. Most of the rest is now just window dressing.
Very interesting! I'm kind of surprised the felt was thinner, especially given the greater abundance of fur bearers (and lack of regulations for taking said fur bearers). I suppose it had something to do with the felting process, and lack of modern machinery to assist in the process. So would a hat at that time period be a bit like if you had a western hat made out of dress weight felt? I wonder how well they held up over time compared to what's available today?
Thanks for the lesson, it's such a fascinating subject!
Edit: Forgot to also quote deadlyhandsome, but the post is directed at both of you.