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Homburg Nation

Messages
18,238
Location
Maryland
R. & M. Wegener "Extra 9", 57 cm possibly later 1950s. The Gray Felt has a great Smooth Finish and with contrasting black Bow and light gray Brim Binding. The overall quality and condition are excellent.

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Open Crown

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Messages
19,926
Location
Nederland
In 100% mint condition black P & C Habig homburg. I wish this one would fit me, but it's too big for my head even with some corkstrips behind the sweatband. The label says it's a size 60, but i think it's more like 61/62. Beautiful hat nevertheless. So if anyone is interested in this, please pm me.
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Excellent find, Marcel. Gorgeous hat.
 
Messages
19,926
Location
Nederland
T&W Lees homburg in black. Size 57 with the bound brim at 6,5cm and the crown at 11cm at the center dent. I say homburg, but this one is not the traditional homburg, but leans towards a more western style with a somewhat wider brim and more of a pencil curled brimfinish. Squarish crown on it. Made especially for Dutch retailer Hollenkamp.
All the usual T&W Lees quality is there. I don't find enough of these T&W Lees hats, which is a pity.

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Messages
19,926
Location
Nederland
Cambiaghi homburg in grey woolfelt. Size 56 with the bound brim at 5,5cm and the crown at 10cm at the center dent. Brim curl is still a bit wavey due to poor storage and it has some mothdamage on the underside of the brim. Cambiaghi was a manufacturer specialised in woolfelt, but we rarely see homburgs made out of wool. Reason is that they often were "Sunday best" hats and/or aimed at customers who could afford furfelt.
This one is probably a forties hat. The sweatband mentions the 9 grand prix, the last one of which was 1937, so it is later than that date. They did a pretty good job on it: the hat weighs 137 grams.

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Steve1857

I'll Lock Up
Messages
9,378
Location
Denmark
Cambiaghi homburg in grey woolfelt. Size 56 with the bound brim at 5,5cm and the crown at 10cm at the center dent. Brim curl is still a bit wavey due to poor storage and it has some mothdamage on the underside of the brim. Cambiaghi was a manufacturer specialised in woolfelt, but we rarely see homburgs made out of wool. Reason is that they often were "Sunday best" hats and/or aimed at customers who could afford furfelt.
freestar
This one is probably a forties hat. The sweatband mentions the 9 grand prix, the last one of which was 1937, so it is later than that date. They did a pretty good job on it: the hat weighs 137 grams.

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Nice find, Stefan.
 

Pellie

Call Me a Cab
Messages
2,609
Location
Enschede, Netherlands
Cambiaghi homburg in grey woolfelt. Size 56 with the bound brim at 5,5cm and the crown at 10cm at the center dent. Brim curl is still a bit wavey due to poor storage and it has some mothdamage on the underside of the brim. Cambiaghi was a manufacturer specialised in woolfelt, but we rarely see homburgs made out of wool. Reason is that they often were "Sunday best" hats and/or aimed at customers who could afford furfelt.
This one is probably a forties hat. The sweatband mentions the 9 grand prix, the last one of which was 1937, so it is later than that date. They did a pretty good job on it: the hat weighs 137 grams.

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How do you know for sure it's woolfelt?
 

Daniele Tanto

I'll Lock Up
Messages
4,572
Location
Verona - Italia
It smells different.
Marcel, how can you be sure that felt is wool, or a mixture of hair and wool, or just fur?
Especially with your eyes and hands and in particular the fingertips that touch or caress the felt. This is for me the best test to have an indication of the components of the felt. The consistency is different.
Wool can be soft and "silky" especially in hats from a hundred years ago, or more rigid and prone to some less precise folds than fur, this in more recent hats.
The smell can have an influence, especially after using steam to revive the felt. Wool has a different smell than fur. In the production of Italian hats and I believe also in the European one, the use of mixtures of various hairs is the basis of the felt, therefore wool in different quantities is often present in magnificent felts.
It is a question of knowing how to work it and in all the Alps or mountain ranges of Europe the felts have been almost exclusively made of wool, therefore the tradition of its working is very ancient and with it we find all the working characteristics of an art, that of weaving, which is a tradition.
And then let's say frankly that the belief that a felt is made of a single component, whatever it is, is a chimera.
 

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